"Sound: 7 out of 10" -- Game Helper on Sega/Pseudo Interactive' Full Auto 2: Battlegrounds.
studio.jory.org
- 415.454.7937
- studio@jory.org
Studio Details
Recording
- Pro Tools 5.1
- 64-track recording
- 28 channels digital I/O
- 48 channels analog I/O
- 8 channels Millennia HV-3D
- 2 channels AEA Ribbon Pre
- 1 channel Seventh Circle Neve 1272
- 3 channels Seventh Circle API 312
- 4 channels Seventh Circle Millennia HV-3
- Universal Slave Driver master clock
- Dolby Cat. 43 w/ A-type & SR-type cards
- t.c.electronic M3000 Film/Post
- TC|Helicon VoicePro
Microphones
- AEA R44CNE
- AKG 452 (x2), C414-EB
- Audio-Technica 815b
- Audix D2 (x3), D3, D4
- B&K 4006
- Beyer M201
- Blue Kiwi (x2), Mouse, Kick Ball, Eight Ball
- Crown CM700 (x2)
- Electro-Harmonix R1
- RCA SK-35
- Røde NT4
- Royer R-121 (x2)
- Sanken CU-41
- SE Electronics SE2a (x2), SE3 (x2)
- Sennheiser e609 (x2), MD421 (x2), MD441
- ShinyBox 23 (x2), 46
- Shure SM57 (x4)
Monitoring
- Genelec 1030A multi-channel monitors
- M&K MX-6000 THX subwoofer
- THX CC4 5.1 Channel Crossover/Controller
- Ashly PS 4.24 Room EQs
- Hear Technologies HearBack personal monitoring
- Symetrix TI-101 Telephone Hybrid
Technology
- 1/4 Terabyte storage - fixed data
- 200 GB storage - hot-pluggable
- Aurora full-resolution video playback
- 300+ GB sound effects library - commercial & custom
Playback

- Dolby Pro Logic II Gaming Encoder
- Dolby SEU4 Surround Encoder
- Dolby SDU4 Surround Decoder
- JVC XV-600SL DVD-Audio
- Sony PlayStation 2
- Technics SH-AC500D Dolby Digital/DTS Decoder
Sound Generation
- Korg SG-1D
- E-mu Proteus/1 & /2
- E-mu Pro/cussion
- Kurzweil Micro Piano
- Roland JV-30
- JL-Cooper CS-10

With all the dialog recorded at studio.jory.org, Bone: The Great Cow Race is garnering excellent reviews for its voice work. Be sure to check it out!

The October issue of Mix Magazine contains a feature article that covers studio.jory.org's involvement on the new Sam & Max games from Telltale Games!

The voice of Leo, the big bird from Pixar's For the Birds, was performed by director Ralph Eggleston using a mallard duck call, and subsequently manipulated in the computer.